I barely got through the third Lemony Snicket book in my proposed dismal-orphan-life marathon. I had to read something else. They are too much the same the Lemony near-novels. Between the 2nd and 3rd books there was a Snape-Hermione fan-fic novel by some fan. I heard about it on a Harry Potter Podcast. Snape tricks Hermione into being his sex slave when she signs a contract to do what ever he says in order to become his potions apprentice. Kind of icky. I have a feeling that there is a lot of this sort of forced sex fiction out on the net. It's a genre that seems to have a name. I don't normally read stuff like this but it did sound interesting in a twisted sort of way. It was a short novel finished in an evening and it was fairly well written.
Just as I was finishing the 3rd LS book the latest Diana Wynne Jones Chrestomancy book magically arrived at DreamHaven. I knew what I would read next when I saw it there Monday evening. The Pinhoe Egg was pretty good. Lots of characters and fun scenes, lots of magic and a good villian. It took longer than the last DWJ book to read. I finished Conrad's Fate the night I got it, staying up til 3-4 am on a weeknight. I normally don't do that, even for tv. TPE was more fun but didn't make me want to read it like a fiend, taking most of the work week. I liked the cover quite a bit. I think the girl on the right side is striking.
A couple of weekends ago I read some graphic novels. That kept me off the Lemony teat all day.
Hellboy - Strange Places. Here's the description from the Dark Horse Comics Website's Mignola section. They have good web at DH, lots of info on the books they sell, pictures, animations, wallpaper, screensavers, etc.
Mike Mignola returns with his first new Hellboy collection since 2002's Conqueror Worm. After leaving the Bureau for Paranormal Research and Defense, Hellboy's travels take him briefly to Africa, then for a two-year stint at the bottom of the ocean. An ancient witch doctor, a giant fish woman, and the keeper of the secret history of the universe force Hellboy to either accept his role in the coming apocalypse, or have that role stolen from him. Weird undersea creatures and talking lions populate this turning-point adventure, which reveals secrets buried since Hellboy's very creation. This volume collects Harvey-and-Eisner-award winner Mike Mignola's Hellboy series The Third Wish and The Island with over a dozen unused pages, and a new epilogue.
Strange Places is the first Mignola-drawn Hellboy collection in over three years. Collecting issues of The Third Wish and The Island, plus new material.
Some whacky shit happens to the big red guy. It's way more complicated to break down into some glib synopsis but it's got some punching and interesting art. I really like the Mignola style and the coloring of his books. I also read the B.D.R.P. collection The Black Flame. Written by Mignola but not drawn by him. A crazy rich guy calls up a super powerful demon and it goes all bad for him. Like you haven't seen that before. The book has a sad ending with the death of a favorite character. There's a plague of frogs just like in The Pinhoe Egg.
I read a couple of Robert Crumb collections. There have been a few things piling up, waiting to get read. Waiting For Food 3 had been sitting for a while but it took no time to polish off, just a collection of drawings. Crumb lives in France and when he eats out he draws on placemats and publishes them in books. Keeps him in croissants I guess. I don't know which is worse, him doing the books, or me buying them at $26.95 a pop. Of course, I get a 35 percent discount at DreamHaven and that sure helps. The Complete Crumb is a better buy at $18.95. They are up to book 17 now and it's the last one. There a few comics to collect but the plan seems to collect them seperately. I like the earlier stuff better than the stuff in this volume. According to the Fantagraphics website some of the series are out of print. That's the way it goes.
Mark Bode finished a story from the vast unfinished file left by his father Vaughn Bode. The Lizard of Oz is Bode's version of guess what. It's naughty and has Cheech Wizard. You can see a preview over at Amazon. The art isn't too bad but I didn't care about the story. It's pretty slight.
TinTin in America is a reprint of the first version of Herge's story. It's a black and white story from 1932. I have been a fan for over 30 years and the ones I bought first were the redrawn color stories. One of the books I bought years ago has a 1973 date I put in it. I bought it at The Hudson Bay Company book department. The HBC was 300 years old in 1970. They gave the Manitoba Museum a ship to celebrate. I bought many TinTin and Asterix books at HBC's bookstore. It was a pretty good store. The other big department store was The Eaton Company. They started in 1869 and folded in 1999. I bought lots of books at both bookstores. Especially after I started working. This B&W version is some what simpler and cruder in style than the version I bought back then. Here's a guys review. That's not the right cover for the book I read. I didn't find a copy on the internet but I didn't look too hard. After TIA it was back to the Baudelaire Orphans and their sidetrip to The Miserable Mill. It was miserable there, with all that tree gnawing and bubble gum for lunch. I don't even like bubble gum. What's frustrating about the LS books, for me, is all those adults are so ineffectual. I think it would be good to read a parody in which Count Olaf gets stabbed, possibly repeatedly, and someone plants a boot deep in the pathetic Mr. Poe's ass.
The Spirit is an adult who is as powerful as the Lemony adults are weak. The collected hardcovers are up to 19 so far but some how I buried volume 18. I found it well after I had read the 19th. They are all good. There are still several books to go, 2-4 maybe. That's one hell of an investment at 50 bucks a pop. Good thing I got that discount. Amazon has them for 33 bucks, for those who don't have a discount. Still a ton of money for a 2 dozen volume set of comics.
I have been sorting stuff and putting all the work by artists in piles by artist. Mike Mignola and all the Hellboy and related books are now in one place and fill a nice big box. By getting it all together I found I was missing a few items. The Hellboy trade paperback Conqueror Worm was one of the missing items. I picked up one at the store and read it after The Spirit collection. Here's the story plot:
Dark Horse presents new editions of the entire Hellboy line with new covers. Hellboy is one of the most celebrated comics series in recent years. The ultimate artists' artist and a great storyteller whose work is in turn haunting, hilarious, and spellbinding, Mike Mignola has won numerous awards in the comics industry and beyond. The Bureau for Paranormal Research and Defense has sent Hellboy out on what will be his final mission. At the end of World War II, the American costumed-adventurer Lobster Johnson led an Allied attack on Hitler's space program, but not before the Nazis were able to launch the first man into space. Now, sixty years later, Hellboy and Roger the Homunculus-- who's been implanted by Bureau scientists with a bomb-- travel to a ruined castle in Norway to intercept the returning capsule, and its single passenger... the Conqueror Worm! Conqueror Worm #1-#4. The trade paperback also features a nine-page epilogue. Includes assorted story comments and illustrations by Mike Mignola. Features a 5-page Mike Mignola sketchbook.
I like Roger, I was sorry he wasn't in the movie. Maybe if they do a second one.
Joan Aiken's The Witch OF Clatteringshaws caught me up and sailed me along for a while. Then the wind went out of the sails and I coasted along as it sat on my clock stand by the bed. I finally finished it and don't plan to keep it, already passed onto to Simba, and don't plan to get more Joan Aiken. She's no Eva Ibbotson. Taking even longer to read than The Witch of C was Thomas Andrea's non-fiction book, Carl Barks and the Disney Comic Book. Published by The University of Mississippi. Here's the pitch from their page.
The first full-length critical study of the genius who created Duckburg and Uncle Scrooge. For over twenty-five years, Disney artist Carl Barks (1901-2000) created some of the most brilliant and funny stories in comic books. Gifted and prolific, he was the author of over five hundred tales in the most popular comic books of all time. Although he was never allowed to sign his name and worked in anonymity, Barks's unique artistic style and storytelling were immediately evident to all his readers. Barks created the town of Duckburg and a cast of characters that included Donald Duck's fabulously wealthy Uncle Scrooge, the lucky loafer Gladstone Gander, the daffy inventor Gyro Gearloose, the roguish crooks the Beagle Boys, and the Italian sorceress Magica de Spell.
Carl Barks and the Disney Comic Book: Unmasking the Myth of Modernity is the first critical study of Barks's work in English. From a cultural studies perspective, the author analyzes all phases of Barks's career from his work in animation to his postretirement years writing the Junior Woodchucks stories.
Andrae argues that Barks's oeuvre presents a vision strikingly different from the Disney ethos. Barks's central theme is a critique of modernity. His tales offer a mordant satire of Western imperialism and America's obsession with wealth, success, consumerism, and technological mastery, offering one of the few communal, ecological visions in popular culture. Although a talented visual artist, Barks was also one of America's greatest storytellers and, Andrae contends, lifted the comic book form to the level of great literature.
Thomas Andrae, an instructor in the cinema department of San Francisco State University, is the senior editor and cofounder of Discourse: Journal for Theoretical Studies in Media and Culture. He produced The Duck Man, a feature-length documentary on Carl Barks, and was an editor of the Carl Barks Library.
JULY, 272 pages (approx.), 6 x 9 inches, 18 line illustrations, appendix, index
It's an interesting book but I had to think alot and who wants that when they are reading. I thought I liked Bark's stories because they were fun, who cared that they were carefully crafted social satire. I obviously didn't learn anything concerning rampant consumerism from them, or I wouldn't have all this crap in my house that I keep sorting through. Even when I toss out a lot there seems to be still more than when I started. How the hell does this happen? Anyway, Carl and I, we wouldn't see eye to eye on some things, but that's not important as the stories he left behind. And as I can't repeat enough, great stories. Too bad kids today don't give a shit. Gemstone is cutting some of the Disney comics that aren't making them much money. They plan more trade paperbacks. They were trying to market the cheaper comics to kids but kids just weren't buying them. I see a Disney section in all the local comic shops but they mostly sell to collectors like me. I can't get kids or parents to buy them at DreamHaven. This last week at the store the third and final volume of Magnus Robot Fighter came in. It's a hardback reprint of the last third of the Russ Manning Magnus series. I read that and enjoyed those stories for the umpteenth time over the years. I just love that Russ Manning art.
Before I got back to Lemony I read the latest Buffy book Portal Through Time by Alice Henderson. Most of the Buffy books are pretty good and this one was too. Buffy travels back and forth through time to save herself from time-travelling vampires who are trying to stop Buffy from killing the Master. It takes place just after the 1st season. They travel to see Gilgamesh, some place in Wales when there was a war going on and the civil war. Most everyone gets shot or stabbed and nearly dies. I know, it was still pretty good. Not DWJ's good but ok. Lemony's The Austere Academy was next, started on Halloween, polished off in a day and a half. The best thing about it? Cakesniffers! What a great word. Now it's Friday Night Movie night next. Gotta go.