Fright Night was our first feature. It's a 1985 vampire film that was written and directed by Tom Holland. It's his first film, he'd go onto direct Child's Play and a hand full of other movies along with some TV episodes on shows like Tales From The Crypt, Masters Of Horror and Twisted Tales.
That's Chris Sarandon as Jerry the vampire, Jonathan Stark as Jerry's soft focus but trusty Renfrew, Stephen Geoffreys as Evil Ed, Amanda Bearse as Amy and William Ragsdale as Charley. Charley and Amanda have something going on and it's nearly going to get them laid but for the two guys carrying the coffin onto the newly rented house next door. If only Charlie had gone for the nookie instead of the mystery Evil Ed might not be dead.
Sadly, Charlie is that normal teen, one that's not very clever. It's surprising that he survives when confronted by a deadly vampire but lucky for him Jerry is the worst vampire we've seen in a long while. Charlie calls the cops on him when he sees that the dead girl on the news is the same one he saw through the window the night before. The police don't believe him and now he's got a pissed off vampire after him and his single mom.
Now Charlie is a big horror fan but he seems to lack any substantial knowledge on vampires. Charlie goes to ask Evil Ed, a nervous, high pitched noise he goes to school with, about vampires. EE has some knowledge and he gives Charlie a cross and tells him that vampires can't get into the his house without asking permission. Charlie returns home to find Jerry there, invited in by his mom.
Charlie goes to see the local TV Horror Host Peter Vincent, played by Roddy McDowall, his hair dowsed in flour, but Peter doesn't know anything much about vampires. He doesn't even believe they are real, he thinks Charlie is crackers. Ed and Amanda try to help but it all goes south as Jerry gets more bothered by the disturbances. Jerry eventually brings about his own doom. He gets too riled up and vengeful. Through sheer luck Charlie, and a revitalized Peter Vincent, learn to break the basement windows and the sun finishes off the Vampire who stayed up past his bedtime. A good ending, vampires need to be put down, they are chompy dicks after all.
A fun movie with some dumb characters, the jokes and the scares are equally dumb. Evil Ed was annoying and I didn't mind him getting the chomp. Amanda was cute but obviously too old for a high school gal. She was 27 playing 17 and William was 24 playing about the same age. It was nice to see Roddy hamming it up and then grow a bit of spine. He won a Saturn Award for Best Supporting Actor. Nice, huh. The movie also won the Saturn Award for the Best Horror Film and Best Writing. I wonder what the competition was? Chris hasn't ever been an actor I much care for but he usually does a good job. He got nominated for a Saturn Award but did not win. The effects are pretty good, Richard Edlund had just finished working on Ghostbusters and brought a lot of knowledge to the production.
Dead End Drive-In is up next, it's a 1986 Australian science fiction horror film about a guy getting locked down in a drive-in turned concentration camp. It's 1995 in the movie, the world economy has taken a tumble and people are living in cities ravaged by street gangs of unemployed.
Unbeknownst to Crabs and Carmen, young lovers in a "borrowed" 1956 Chevy, the road to the Star Drive-In is a one way street. Once the park for the movie Crabs' tires get stolen by the police. The man at the counter is not every helpful, he's got a beer for Crabs, or some weed if he wants it, but it looks like he's stuck. Crabs feels a need for release and Carmen isn't going to satisfy that. He spends the rest of the movie looking for a way out past the electrified fence.
The movie is based on a Peter Carey story from his book The Fat Man In History. I don't know that book nor the writer but he might be big in Australia. I don't know, I didn't bother looking him up, I'll never get around to reading anything by him. Peter Smalley wrote the screenplay.
The movie is directed by Brian Trenchard-Smith and Quentin Tarantino says this is his favorite movie by BT-S. Brian says the movie is part Mad Max and part The Exterminating Angel. It doesn't live up to the Mad Max part, but it does have the trapped people living like animals down pat. It's more comedic than drama, an ironic laced look at the collapse of civil order with hot rods, attitude and big hair.
The Drive-In is, of course, an allegory for the junk values of the eighties, which our hero sees as a prison. The last 20 minutes of the film - the escape - is the desperate blazing climax, but the whole film has a feeling of high style, of heightened or enhanced reality - a little bit over the top, but retaining a reality that the public will accept. - Brian Trenchard-Smith - the Wikipedia.
I don't think I was getting that while it was playing out but that's the trouble with the film in people's head. You can't see in there and they can't always create their vision well enough for the viewer to comprehend. After watching it I can understand why it didn't make money. Some people will like it more than others, it scores a 5.9 on the IMDb, I liked it a bit, I wouldn't need to buy a copy.