
Blood Diner is a 1987 horror comedy about eatin' people. It's written by Michael Sonye and directed by Jackie Kong. That diner on the poster isn't in the movie.

Two young brothers are convinced by their Uncle that they should worship the 5 million year old Lumerian goddess Sheetar. The Uncle is a murdering maniac because the rituals of the church demand human sacrifices and he's terrible at covering up his crimes. Twenty years after he's been killed by the police the boys, now young men, dig up their Uncle and put his brain in a jar. The brain has eyes and it can communicate by speaking out of it's ... who knows what. It's in a fucking jar.


Magical bullshit aside, Uncle sets the boys on a mission, luring women and chopping them up to build the perfect vessel for Sheetar. That's Sheetar there on the left above. She's topless most of the time she's on screen. There's plenty of slaughter and body parts flying but it's so comical all you can do is laugh. That's okay with me. I prefer a fun picture to a dark and dire trip to some serious black place. The police are on the case. The detective is a sleazy pig of a guy. He's the mind of guy with Brylcreem on his head and you can just imagine he's used it on his pubes too. His partner is a feisty gal who can't act very well. It was her only movie and I can see why.

Some of the actors did better in their roles than the police lady. The variety of accents, real and made up, is amusing. Jackie's film making isn't anything special but it does the job. Especially for a movie that was shot in three weeks on what I can only guess is a small budget. It's a pretty silly fuckin' movie and I got a laugh. When it came out it was banned in some Canadian provinces.

I got some laughs out of our second movie, The Monster of Piedras Blancas, but not because it's meant to be a comedy. It does have a sense of humor but that's not it's job. It's a decent low-budget, $29,000, film about a town terrorized by a monster. I'm pretty sure that I had seen it before but it's not listed in my Watched Movie List. If you haven't seen it you can check it out by clicking the link in the title above.

It's from 1959 and it's got a script by director Irwin Berwick. In 1945 Irwin started working for Columbia Pictures as a dialog coach for directors like William Castle. He later moved to Universal-International. He only directed 7 movies, this first one in 1959, and the last, Malibu High in 1979. The first and last movies he directed are the only ones I've seen. At least so far anyway. Malibu High is one of 32 movies packed into the Drive-In Cult Classics Multi Movie Pack. Well worth picking up, it has slightly better films that most of the Multi Movie Packs. It's a nice mix of low budget B pictures, most of which are from Crown International. Berwick's son Wayne plays Little Jimmy in the film. Wayne acted in a couple more films, directed a little bit of TV, and had a few other jobs in the industry.

The monster is similar to many Universal monsters even though this is an independent film from Irwin Berwick and Jack Kevan's Vanwick Productions. The monsters hands are the same as the hands of the mole people in The Mole People. Here's a bit from the IMDb Trivia page on the creature:
The monster suit looks like the one from Creature from the Black Lagoon (1954), mainly because the creator of The Creature, Jack Kevan, produced and supervised the make-up effects on the film. Much is credited to Universal-International's standard make-up credit of Bud Westmore, but he had little to do (other than posing for publicity photos) with the great monsters from that studio in the '50's.

That's Forrest Lewis, Jeanne Carmen, Don Sullivan and Les Tremayne in the picture. The most famous name in the cast is Les Tremayne, at least to me. He's in one of my favorite 1950s SF films, The Monolith Monsters, where he plays a newspaper man. It's a similar character to the doctor he plays in TMOPB. Pete Dunn plays the monster. John Harmon plays the troubled lighthouse keeper.


The story is pretty simple, it's a 71 minute movie, and there isn't any time to waste on anything but story and lean character development. The acting is quite good, a lot of these are veteran character actors and they do a great job. Especially John Harmon, the lighthouse keeper who has a secret about the monster. In a lot of ways I enjoy these older story drive monster movies over a lot of the gore fested monster movies of today with little by way of interesting characters. Well worth a look for those that like this sort of thing.